Having broken decisively with Marxism in the mid-1930s, the author addresses the horrors of the Stalinist regime (which denounced him during the Moscow trials of 1936). He argues for the autonomy of art and poetry and condemns the subservience to revolutionary aims exemplified by socialist realism.
číst celé
Having broken decisively with Marxism in the mid-1930s, the author addresses the horrors of the Stalinist regime (which denounced him during the Moscow trials of 1936). He argues for the autonomy of art and poetry and condemns the subservience to revolutionary aims exemplified by socialist realism.
schovat popis
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