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This book offers a comparative study of the aesthetics of disgust among contemporary female authors writing in French and German - Marie Darrieussecq, Amelie Nothomb, Lorette Nobecourt, Alina Reyes, Sibylle Berg, Jenny Erpenbeck, Monika Maron and Charlotte Roche - and asks to what extent disgust can be seen as useful tool for feminist criticism.
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