Recenze Critical Race Theory and Copyright in American Dance

Critical Race Theory and Copyright in American Dance

Critical Race Theory and Copyright in American Dance

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The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically... číst celé 

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