How can we be genuinely frightened of vampires, though we know they don't exist? How is it that people find pleasure in being scared out of their wits? Carroll presents the first philosophical and aesthetic analysis of the horror genre.
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How can we be genuinely frightened of vampires, though we know they don't exist? How is it that people find pleasure in being scared out of their wits? Carroll presents the first philosophical and aesthetic analysis of the horror genre.
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