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Motivic-thematic working is seen by many not merely as one facet of instrumental composition but practically as its epitome and therefore as the decisive criterion in the evaluation of a symphony, sonata or string quartet. This conviction, particularly widespread in the German-speaking countries,...
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Motivic-thematic working is seen by many not merely as one facet of instrumental composition but practically as its epitome and therefore as the decisive criterion in the evaluation of a symphony, sonata or string quartet. This conviction, particularly widespread in the German-speaking countries, has given rise to many complex and in-depth analyses of individual works. However, it has also contributed to the neglect of other parameters and the devaluing of works in which thematic structures do not play a central role. Thus it has also helped to encourage a Germanocentric image of music history.
In this volume the discourse about motivic-thematic working is fully highlighted for the first time - from its origins in the 19th century to the present day. Theoretical and aesthetic perspectives are supplemented by that of cultural history: this is devoted to the function of defining identity, which even a purely technical category such as thematic working can take over in a specific historical context.
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- Nakladatel: Olms
- Kód:
- Rok vydání: 2015
- Jazyk: Němčina
- Vazba: Taschenbuch
- Počet stran: 248
- Šířka balení: 17.2 cm
- Výška balení: 24.1 cm
- Hloubka balení: 2.1 cm
- Váha balení: 574 g
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