Francesco di Giorgio Martini's fortress complexes, created at the end of the Quattrocento, continue to look experimental and highly speculative half a millennium later by their semiotic character. This book is an attempt to understand the strangely grandiose semiotic character of these structures.
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Francesco di Giorgio Martini's fortress complexes, created at the end of the Quattrocento, continue to look experimental and highly speculative half a millennium later by their semiotic character. This book is an attempt to understand the strangely grandiose semiotic character of these structures.
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