This book locates the theatre of Marina Carr within a female genealogy that revises the patriarchal origins of modern Irish drama. This book reconnects the severed bridge between Carr and Gregory in order to acknowledge a foundational status for all women in Irish theatre.
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This book locates the theatre of Marina Carr within a female genealogy that revises the patriarchal origins of modern Irish drama. This book reconnects the severed bridge between Carr and Gregory in order to acknowledge a foundational status for all women in Irish theatre.
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