She shows how the Language poets, a group of primarily white experimental writers, restored to the canon what they saw as modernism\'s true legacy, whose stakes were simultaneously political and epistemological: it produced a poet who was an intellectual and a text that was experimental.
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She shows how the Language poets, a group of primarily white experimental writers, restored to the canon what they saw as modernism\'s true legacy, whose stakes were simultaneously political and epistemological: it produced a poet who was an intellectual and a text that was experimental.
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