This book contends that child characters have taken on a critical representational role within Latin American cinema because of their position on the threshold between nature and culture, which converts them into a focus of, and a limit to, state or colonial biopower.
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This book contends that child characters have taken on a critical representational role within Latin American cinema because of their position on the threshold between nature and culture, which converts them into a focus of, and a limit to, state or colonial biopower.
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